SCENE 01 / EQUIPMENT SERVICES
Film Equipment
Pro cinema cameras, lighting, audio, and grip kit for shoots all across Japan.
We rent the full range of film gear. Our deep stock covers cinema-grade cameras, sharp optics, lighting rigs, pro audio kit, and special filming gear from the top makers.
We carry RED and ARRI cinema cameras, Zeiss and Cooke lenses, ARRI SkyPanel lights, and Sennheiser audio. These pro tools fuel great work, and our 24/7 tech support keeps them running.
Service Highlights
Cinema-Grade Equipment
The newest RED, ARRI, and Sony cinema cameras, paired with sharp optics from Zeiss, Cooke, and Canon.
Complete Lighting Systems
Pro LED, HMI, and tungsten lights, backed by full grip and power distribution kit.
Professional Audio Gear
Location sound packages, wireless systems, and tracking gear from the field's top brands.
Equipment Categories
Camera Equipment
Tokyo rental houses Imagica and NAC supply ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages, each built around Zeiss, Cooke, and Canon lenses.
View Camera EquipmentLighting Equipment
Each package pairs ARRI SkyPanels, M-series HMIs, Aputure LEDs, and tungsten practicals with stands, flags, and diffusion from Japanese grip houses.
View Lighting EquipmentAudio Equipment
Our team preps Sennheiser, Lectrosonics, and Wisycom wireless systems with Sound Devices recorders, all tuned for Japanese RF conditions and tricky location sound.
View Audio EquipmentMonitoring Equipment
Our crews use SmallHD, Atomos, and Sony reference monitors for on-set review, with wireless HD feeds that drive client video villages on Japanese sets.
View Monitoring EquipmentPower Solutions
Our kit covers quiet generators for sites with no shore power, plus lithium battery systems and distro boxes that meet Japanese 100V standards.
View Power SolutionsVehicles & Rigs
Our fleet runs Japanese-registered insert cars, tracking vehicles, and camera cranes, plus compact production vans sized for tight Tokyo streets and narrow rural roads.
View Vehicles & RigsGrip Equipment
Tokyo grip houses supply dollies, jibs, track, and rigging gear for studio stage and location work right across Japan.
View Grip EquipmentData Management
Our DIT carts give live color preview, LUT management, and dual backups that guard 8K and RAW workflows out on location.
View Data ManagementCommunication Systems
Our crews rely on Clear-Com, Motorola, and digital systems to keep departments in sync, using frequency-cleared channels across Tokyo and regional Japanese locations.
View Communication SystemsHow We Work With You
Our equipment rental process is designed to provide seamless service from consultation through production wrap.
Equipment Consultation
Our team reviews your production and picks the gear package that best fits the project.
Package Preparation
We prepare and test all gear, making sure everything is well kept and ready.
Delivery & Setup
We deliver gear to your location and give pro setup help and training.
On-Set Support
We give 24/7 tech support across your production with immediate help ready.
Why Us
Why Choose Our Equipment Services
01.
24/7 Technical Support
We back every job with 24/7 phone support, and our on-set technicians swap out gear fast across Tokyo and every major Japanese city.
02.
Complete Packages
Each package holds everything the shoot needs, from batteries and media to cables and backup units, all tested and prepped well before the shoot day.
03.
Delivery & Setup
We truck the package to Japanese locations, where our technicians build it on-site before your crew arrives.
04.
Premium Quality
Our camera and lens gear gets regular upkeep and runs at peak form, since Japanese rental houses inspect every item closely on return.
On Location
Film Equipment Rental Across Japan
Shoots across Japan need solid access to pro-grade gear. The same crew might work central Tokyo one day, then the Japan Alps, the Okinawa coast, or the snowfields of Hokkaido the next.
Our Japan inventory is built for Hokkaido sub-zero, Okinawa salt air, and Tokyo's RF-saturated streets — broadcast-spec on every truck.
Our stock covers cinema cameras, lighting rigs, audio gear, and grip packages. Each item is kept to broadcast spec and shows up on set on time. We back shoots of every size, from a small single-camera doc in Kyoto to a multi-unit commercial spread across many prefectures.
Cinema-Grade Equipment forms the core of our camera line. The bodies and lenses suit both studio sets and Japan's tough exteriors, from humid Osaka summers to sub-zero Hokkaido winters. Our Complete Lighting Systems offer LED and HMI options for interiors and large outdoor rigs, where steady output matters all day.
Pro Audio Gear rounds out the kit, with wireless systems, boom kits, and location sound packages. Each one is tested before it leaves the truck, so every rental ships in spec, on time, and ready to shoot.
FAQ
Frequently Asked Questions
What equipment do you have available?
We source from Imagica, NAC, Ginichi, and other major Tokyo rental houses. Our stock reaches ARRI Alexa 35 and Mini LF, RED V-RAPTOR and Komodo, and Sony VENICE 2, plus a full lens range from Zeiss Supreme to Cooke S7 to Canon Sumire primes. Lighting runs from ARRI SkyPanel X to M-series HMIs to Astera tubes, and audio comes from Lectrosonics, Wisycom, and Sound Devices. If it is in pro use, we can get it.
Do you provide technical support during the shoot?
We give phone support on every package, and our technicians stand by on set to build tricky rigs. Camera prep happens the day before so the AC team is ready, and we never send untested gear to set. If a unit fails during the shoot, Tokyo rental houses can mostly swap it the same day. Regional shoots are harder, so we pack backup gear for anything mission-critical.
Can you create custom equipment packages?
Custom packages are the default. DPs spec their camera kits, gaffers pull their lighting orders, and sound mixers set their preferred wireless frequencies. We line up every department so it all works as one: we match power draw to pack capacity, confirm lens coverage for the sensor size, and keep wireless audio and video from clashing. The package fits the show, not the other way around.
What is included with equipment rental?
Our team tests and charges the batteries, formats the media cards, and preps 100V Japanese power adapters and cables. We handle transport, and you can add gel and diffusion ready to use on set. We pack backup cameras and audio transmitters as our safety net, so your shoot is covered when Murphy's Law kicks in. We also give setup help and walkthroughs for crew new to a specific piece of gear.
How does pricing and insurance work?
Japanese rental houses price gear by the day in yen, and weekly bookings earn a discount from the fourth or fifth day on. We quote all-in, apart from damage waivers. The gear needs production insurance, and most global policies work, though Japanese houses may want the certificate translated before they release it. Your deposit depends on the package: basic plans need none, while premium lenses and special gear call for a higher deposit.
On Set
Need Equipment for Your Production?
Get a custom gear package built around the needs of your production.