Post-Production & Editing Services Japan

Our Premiere Pro and Avid editors cut commercials, documentaries, and feature films, carrying each project from assembly to picture lock.

We fold in director notes across revision rounds, then lock the timeline so it is ready to finish.

Editing film and television calls for a story-first approach. We shape interview footage, B-roll, and scripted scenes into the core beats of the narrative.

Concerts, panel talks, and live events shoot many camera angles at once. We sync and merge that footage into one seamless edit.

From long interview recordings, we trim pauses, smooth jump cuts, and pick the cleanest run of usable footage.

We match shots and balance exposure, holding a steady white point across mixed lighting and different cameras.

Our colorists work in DaVinci Resolve and Baselight to build cinematic grades, from soft film-like looks to bold, vibrant commercial palettes.

We finish the last VFX work at RAW and run automated quality control checks, then ship the content to broadcasters.

We build LUTs and style references in pre-production, so on-set monitors show the final look your team is aiming for.

Our artists work in After Effects and Cinema 4D to make lower thirds, animated sequences, and infographics for web and broadcast.

Our Nuke and Fusion compositors blend green screen plates, set extensions, and invisible effects into seamless live-action shots.

Our Maya and Houdini artists build photorealistic products, environments, and character animation for commercial and film work.

Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines.

We pair Photoshop with 3D environments to expand sets, extending plates, swapping skies, and building new locations from real filming sites.

By hand-tracing mattes, our artists remove unwanted elements and actors from a scene, which makes complex composites and effects work possible.

Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.

On our Tokyo Foley stage, artists record footsteps, cloth moves, and prop sounds that match the picture beat for beat.

We clean production audio, record new dialogue lines, and lip-sync them in both Japanese and English.

We supply original music from Japanese composers, plus JASRAC-managed library tracks cleared for sync use.

Our Pro Tools rooms and Dolby-certified stages produce broadcast-ready mixes that hit every loudness standard.

We mix in Dolby Atmos as well as 5.1 and 7.1, placing objects and beds with precision for theatrical, streaming, and broadcast delivery.

iZotope and Cedar processing to remove hum, wind, traffic, and production noise from location recordings.

We build digital cinema packages with encryption, KDMs, and ingest testing for both Japanese and overseas theaters.

We deliver Masters that meet NHK, TV Asahi, Fuji TV, and overseas broadcaster specs, each with a full QC report.

Netflix, Amazon Prime Video, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements.

LTO tape archives, checksummed backups, and preservation masters for long-term asset protection.

We transcode between ProRes, DNxHD, H.264/265, and legacy formats, and we adjust frame rate and resolution as needed.