SCENE 01 / PRODUCTION
Production Services Japan
Our team brings deep experience to on-set filming and technical work at sites across Japan. From camera and lighting to sound and specialized filming, we provide the people and equipment your production needs.
On-Set Excellence
Complete Production Support
We provide experienced crews, professional equipment, and technical expertise for films, TV, commercials, and digital content throughout Japan.
Technical Excellence
We supply ARRI, RED, and Sony packages from Tokyo rental houses like Imagica and NAC. Our technicians have shot features, commercials, and broadcast work across Japan.
Expert Crews
We provide bilingual DPs, gaffers, and sound mixers based in Tokyo, Osaka, and Kyoto. Our team also keeps local experts on call for Hokkaido, Okinawa, and countryside production.
On-Set Efficiency
Our Japanese ADs and line producers hold exact call times and handle the fine details that Japanese film sets demand. They solve problems early, so production keeps moving without delays.
Service Catalog
Our Production Services
Every department coveredβcamera, lighting, sound, grip, crew, and specialized filming techniques.
Camera & Cinematography
Linked ServicesDP Services
Our Japanese and global DPs are skilled with ARRI, RED, and Sony camera systems. They shape the visual look your project needs.
Multi-Camera Shoots
We cover everything from two-camera interviews to 12-camera live events. Our crews handle switching, genlock, and full coverage setups.
Steadicam & Gimbal
Our MΕVI, DJI Ronin, and Steadicam operators are trained for smooth tracking shots. They move with ease through narrow Japanese locations.
Drone Videography
We secure MLIT permits to film aerial footage of Japanese cities and coastlines. Our licensed pilots cover even restricted zones.
Underwater Filming
Our certified dive crews work at Okinawa, coastal, and pool locations. They use housings built for RED, ARRI, and other camera models.
Time-lapse & Hyperlapse
Our rigs capture Tokyo city views, Shibuya street life, and Japan's seasonal shifts. Each sequence plays out across a full day.
Lighting & Grip
Linked ServicesGaffer & Lighting Team
Our Japanese gaffers light traditional interiors, modern Tokyo settings, and the mixed glow of Japanese streets.
Grip Services
Our key grips run Dolly, jib, and track systems on studio stages and location sets across Japan.
LED Lighting Systems
We bring ARRI SkyPanels, Astera tubes, and Aputure fixtures, plus the crew to run them. These let us build lighting fast and dial in RGB color on the fly.
Portable Power Solutions
We supply quiet generators that run without shore power. Our lithium battery systems keep run-and-gun documentary shoots going.
Sound & Audio
Linked ServicesLocation Sound Services
Our sound mixers run multi-track recorders with timecode sync and backup tracks. This setup serves both scripted and documentary shoots.
Boom Operators
Our seasoned boom operators read blocking ahead of time and keep cables clean. That care delivers clear dialogue in tough Japanese audio settings.
Wireless Audio Systems
We run Sennheiser, Lectrosonics, and Wisycom systems for multi-talent shoots. Our team coordinates each frequency to cut through Tokyo's crowded RF airspace.
Sound Recordist Team
Our sound team pairs a mixer, boom, and utility operator and scales the rig to each job. That range covers quiet dramatic dialogue and high-energy reality content alike.
Post-Production Audio
Our Tokyo-based studios handle ADR, Foley, and dialogue editing. They also deliver 5.1 and Dolby Atmos mixing for broadcast and theatrical release.
Production Equipment
Linked ServicesCamera Equipment
We source ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages from Tokyo rental houses, with same-day prep service.
Communication Systems
We supply Clear-Com, Motorola, and digital communication platforms to link every department. These tools keep long Japanese production schedules in sync.
Lighting Equipment
We provide HMI, tungsten, LED, and practical packages from rental houses in Tokyo and Osaka, with truck delivery.
Power Distribution
Our seasoned Japanese electricians handle distro boxes, cable runs, and tie-ins. They serve both studio stages and location work.
Data Management
Our DIT carts run live color and LUT management with redundant backups. They guard your footage from start to finish.
Monitor & Video Village
We build director and client viewing setups with wireless HD transmission, playback, and reference monitors.
Production Team
Linked ServicesLine Producers
Our Japanese line producers manage the budget in yen and follow local labor rules. They keep your production on schedule throughout.
Assistant Directors
Our 1st ADs run the floor while our 2nd ADs manage background and call sheets. Both are bilingual and have worked on foreign film locations.
Production Coordinators
Our office-based coordinators book travel and accommodation and process vendor invoices. Day to day, they keep all production paperwork in order.
Production Assistants
Our bilingual PAs know Tokyo's streets inside out. They handle location logistics, guide talent, and keep craft service stocked.
Location Managers
Our on-set managers work with Japanese property owners, building managers, and authorities. They sort out issues the moment they come up.
Casting Directors
Our Tokyo casting directors are tied into Japanese talent agencies, regional actors, and specialized extras pools.
Script Supervisors
Our continuity experts track wardrobe, props, and screen direction on every take. Their detailed notes follow the footage straight into the edit bay.
Makeup Artists
Our HMU team does beauty, aging, wound, and period-look makeup. The work happens in trailers or at on-site quick-change stations.
Specialized Filming
Linked ServicesAerial Drone Services
MLIT clears our pilots to fly Inspire and Matrice drones plus heavy-lift rigs. They are approved even over Japanese population areas.
High-Speed Filming
We shoot Phantom Flex and RED at high frame rates for product reveals, sports, and automotive work. These cameras capture the slow-motion detail those shots need.
Multi-Camera Setups
Our rigs handle ISO recording and live switching at once. This gives coordinated coverage for concerts, talk shows, and multi-angle documentary scenes.
Underwater Filming
We field Okinawa dive teams, pool rigs, and underwater housings. They cover swimming sequences and product shoots in water.
Virtual Reality Filming
We pair 360-degree camera arrays with spatial audio recording. The result is VR experiences, virtual tours, and immersive branded content.
Why Fixers in Japan
Why Choose Us for Production
Local expertise, vetted professionals, and seamless coordination for productions of any scale.
01.
Vetted Professionals
Every crew member in our network goes through a careful review. We check their track record and their ability to deliver reliable, professional work.
02.
Rapid Deployment
We have crews and equipment ready within 24-48 hours across Japan and nearby countries.
03.
Local Expertise
Our Japanese crews know the locations, rules, and logistics of filming across Japan.
04.
Turnkey Production
From single-operator shoots up to full-scale feature crews, we scale to fit your production needs.
On Location
Production Services Across Japan
Our production teams work across Japan. We handle everything from multi-story studio builds in Yokohama to run-and-gun doc shoots through the lanes of Asakusa and the mountain roads up to Mount Fuji.
Crews sized to the project, not the template β agile enough for Asakusa back streets, technical enough for Mount Fuji aerial work.
We deploy trained crews backed by pro-grade gear, and we run on-set logistics with the care global clients expect and the local know-how Japanese sites need. Each team β camera, lighting, sound β runs through one point of contact. That keeps your shoot lean even when the schedule is tricky or many sites are in play.
Camera & Cinematography sits at the core of what we offer. Our DPs bring credits from both controlled studio rooms and tough exterior conditions. When a shoot needs motion work, our Steadicam & Gimbal operators handle it all, from long tracking shots through the back streets of Fukuoka to fast-moving lifestyle content in Shibuya.
When a shoot needs to leave the ground, our Drone Videography teams are cleared to work across OK'd zones. They deliver aerial views over sites ranging from Osaka's urban canopy to the snowfields of Hokkaido.
FAQs
Production FAQs
Common questions about our production services, crew availability, and equipment support.
What crew sizes can you provide for productions in Japan?
We scale crews to fit the job. A documentary may run on just two people, while a feature unit can span from two to 100. For commercial work, a typical budget of $12,000 to $25,000 covers a director of photography, camera crew, gaffer with electrical gear, key grip, sound mixer, boom operator, and the art and hair-and-makeup staff you need. We've crewed full Japanese units for Netflix and Amazon series, and we've also run single-day corporate interviews with just a shooter and audio.
How quickly can you mobilize a crew in Japan?
For urgent jobs, our Tokyo crew can start within 48 to 72 hours. Regional shoots take more lead time, so plan at least seven to ten days for work beyond Tokyo, Osaka, and Kyoto. In Japan, the real limit is location permits, not the supply of ready crew. If you plan ahead, 3β4 weeks lets us build the right team rather than just the available one.
Do your crews speak English?
Our department heads β DPs, gaffers, sound mixers, and 1st ADs β are either bilingual or strong English speakers, which is key on global shoots. Crews below department-head level often have limited English, so we always set up clear communication chains. For demanding shoots, we suggest a bilingual AD or set translator to keep everything running smoothly.
Can you provide equipment along with crew?
We work with Imagica, NAC, Ginichi, and other Tokyo rental houses every day. Most gear packages come with crew who stay with their kit, so the gaffer runs the lighting and the DP picks the camera gear. For global shoots that bring their own equipment, we handle customs and carnet records. Japanese rental firms inspect gear closely before release, so it arrives pre-tested and ready to use.
How do Japanese crew rates compare to other countries?
Japanese rates run higher than most Asian markets, yet stay competitive with Western rates for the quality you get. The big factor is pace: Japanese crews work with great precision and a careful step-by-step method, which can stretch shoot days longer than you'd budget elsewhere. We quote realistic day counts based on how Japanese crews work, so there are no surprises.
On Set
Ready to Start Your Production in Japan?
Tell us about your project, and we'll bring the right crew, gear, and support for a successful shoot.