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Kyoto Gion - filming location in Japan

SCENE 01 / BOOM MICROPHONES

Boom Microphones

Professional shotgun microphones and boom equipment for your Japanese production.

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Boom microphones are essential for capturing clean dialogue and ambient sound on set. These directional microphones, mounted on extendable poles, allow operators to position the mic close to talent while keeping it out of frame, delivering focused audio pickup with minimal background interference.

We provide access to a range of professional boom microphone systems, including shotgun mics, hypercardioid capsules, and lightweight boom poles suited to your shooting conditions. Our team coordinates delivery and backup equipment to keep your sound department operating smoothly throughout production.

Capabilities

Boom Equipment

Industry-standard shotgun microphones, professional boom poles, and complete accessories.

Professional Boom Solutions

Capabilities

50+
Shotgun Mics
40+
Boom Poles
All
Major Brands
24/7
Support

Our Process

1

Sound Requirements

Understanding your production's dialogue recording needs, locations, and acoustic challenges.

2

Equipment Selection

Recommending the optimal microphones and accessories for your specific shooting conditions.

3

Prep & Testing

Thorough testing and preparation of all boom equipment before delivery to your production.

4

Production Support

Technical support and backup equipment available throughout your shoot.

On Location

Boom Mic Packages Tuned For Japan

Clean dialogue in Japan means matching the mic to the room and weather truths of the site.

Here is how this works in practice. We source MKH 416, Schoeps CMIT 5U, and Sanken CS-3e capsules through Tac System and Nagase Brothers. They pair with K-Tek and Ambient internal-cable poles in 2m through 6m lengths. Boom ops can work tight in a Kyoto machiya interior or extend over a wide block setup in Nagoya.

Here is the short of it. For exterior work along the Okinawa coast or in the Hokkaido snowfields, kits ship with full Rycote and Cinela windscreen systems, fur covers rated for steady gusts, and humidity-friendly shock mounts that survive a Tokyo summer.

Here is the breakdown. Each boom package is prepped and tested before it leaves the rental floor. Shock mounts, XLR cables, batteries, and spare add-ons are cross-checked against the show's track count. We line up backup capsules for multi-week shoots in Fukuoka or long doc work across the Japan Alps. Our techs stay on call to swap any unit that fails. Your sound mixer gets a boom rig that vanishes behind the dialogue.

FAQ

Frequently Asked Questions

Which shotgun mic do you recommend?

The Sennheiser MKH 416 remains the industry standard for its versatility and reliability in various conditions. For quieter interiors, the Schoeps CMIT 5U offers exceptional clarity. The Sanken CS-3e is excellent for reducing off-axis noise in challenging locations.

What boom pole lengths are available?

We stock boom poles from 2m to 6m in various configurations. Most productions use 3-4m poles for standard work. We recommend K-Tek and Ambient poles with internal cable routing for clean, professional operation.

What wind protection do you provide?

We offer complete windscreen systems from Rycote and Cinela suitable for any conditions—from light interior air movement to heavy exterior wind. Our kits include appropriate fur covers for the conditions you'll encounter.

Can you provide complete boom kits?

Yes, we provide fully equipped boom packages including microphone, pole, shock mount, windscreen, cables, and all necessary accessories. Kits are prepped and tested before delivery.

Do you offer backup equipment?

Yes, we recommend and can provide backup microphones and essential accessories for longer shoots. Having backup equipment protects your production against any equipment issues.

What about interior vs exterior mics?

While some productions use different microphones for interior and exterior work, modern shotguns like the MKH 416 and CS-3e perform well in both environments. We can advise on the best approach for your specific needs.

Productions in Japan that need this often pair it with Location Sound Packages, Wireless Systems, and Wireless Microphone Systems for full coverage. Most projects also draw on Camera Equipment Rental and Boom Operators.

On Set

Need Boom Equipment?

Tell us about your sound requirements and we'll provide the right boom package.