SCENE 01 / BOOM MICROPHONES
Boom Microphones
Professional shotgun microphones and boom equipment for your Japanese production.
Boom microphones are key for capturing clean dialogue and ambient sound on set. These directional mics ride on extendable poles, so operators can hold them close to talent while keeping them out of frame. The result is focused audio pickup with very little background noise.
We provide a wide range of pro boom microphone systems. The lineup spans shotgun mics, hypercardioid capsules, and light boom poles to suit your shooting conditions. Our team handles delivery and backup gear so your sound department runs smoothly across the whole shoot.
Capabilities
Boom Equipment
Industry-standard shotgun microphones, professional boom poles, and complete accessories.
Professional Boom Solutions
Capabilities
Our Process
Sound Requirements
Knowing your production's dialogue recording needs, locations, and acoustic challenges.
Equipment Selection
Recommending the best microphones and accessories for your shooting conditions.
Prep & Testing
Thorough testing and preparation of all boom gear before delivery to your production.
Production Support
Tech support and backup gear ready across your shoot.
On Location
Boom Mic Packages Tuned For Japan
Clean dialogue in Japan means matching the mic to the room and the weather at each site.
We source MKH 416, Schoeps CMIT 5U, and Sanken CS-3e capsules through Tac System and Nagase Brothers. These pair with K-Tek and Ambient internal-cable poles in 2m through 6m lengths. Boom ops can work tight in a Kyoto machiya interior or reach over a wide block setup in Nagoya.
For exterior work along the Okinawa coast or in the Hokkaido snowfields, kits ship with full Rycote and Cinela windscreen systems. Fur covers are rated for steady gusts. The shock mounts shrug off humidity and hold up through a Tokyo summer.
Each boom package is prepped and tested before it leaves the rental floor. Shock mounts, XLR cables, batteries, and spare add-ons are checked against the show's track count. We line up backup capsules for multi-week shoots in Fukuoka or long doc work across the Japan Alps. Our techs stay on call to swap any unit that fails. The result is a boom rig that vanishes behind the dialogue for your sound mixer.
Boom kits work hard on NHK, TBS, and Fuji TV dialogue shoots, plus Netflix Japan features staging at Toho Studios stages. A documentary unit may need one shotgun and a light pole, while a period drama wants several capsules for crowded interiors. We match the lineup to the scene, the room, and the recordist's preferences. Each booking is configured before prep day, so the kit fits the show from the first take.
We deliver boom packages across Tokyo, Osaka, and Kyoto on your prep schedule, with English-language coordination throughout. Poles, mounts, and windscreens travel cased and labelled against the camera report. Rates are quoted in JPY, with the 10 percent consumption tax shown clearly on every line. We confirm rental periods, swap terms, and any on-set support hours before the gear leaves the floor, so the sound budget holds firm.
FAQ
Frequently Asked Questions
Which shotgun mic do you recommend?
The Sennheiser MKH 416 stays the industry standard, thanks to its range and reliability in most conditions. For quieter interiors, the Schoeps CMIT 5U gives top clarity. The Sanken CS-3e shines at cutting off-axis noise in tricky locations.
What boom pole lengths are available?
We stock boom poles from 2m to 6m in many setups. Most shoots use 3-4m poles for standard work. For clean, pro handling, we recommend K-Tek and Ambient poles with internal cable routing.
What wind protection do you provide?
We provide full windscreen systems from Rycote and Cinela for any conditions, from light interior air movement to heavy exterior wind. Each kit carries the right fur covers for the conditions you will face.
Can you provide complete boom kits?
Yes, we provide fully equipped boom packages with microphone, pole, shock mount, windscreen, cables, and all needed accessories. Each kit is prepped and tested before delivery.
Do you offer backup equipment?
Yes, we recommend and can provide backup microphones and key accessories for longer shoots. Spare gear on hand protects your production against any equipment failure.
What about interior vs exterior mics?
Some shoots use different microphones for interior and exterior work, but modern shotguns like the MKH 416 and CS-3e perform well in both settings. Our team can advise on the best approach for your needs.
Related Services
Productions in Japan that need this often pair it with Location Sound Packages, Wireless Systems, and Wireless Microphone Systems for full coverage. Most projects also draw on Camera Equipment Rental and Boom Operators.
On Set
Need Boom Equipment?
Tell us about your sound requirements and we'll provide the right boom package.