SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Japanese production.
Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control and steady color. They carry the optical traits that define a project's visual texture and depth.
We set up lens kit rentals matched to your cinematographer's tastes and your camera mount. Our team works with local rental houses to build complete lens packages. We arrange prep time for testing and keep backup options ready if you need them.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
We learn your creative vision, camera format, and the look you want to achieve.
Lens Selection
We suggest lens packages based on your visual style, budget, and tech needs.
Prep & Testing
Full lens prep that covers cleaning, testing, and matching to your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cinema Glass Curated For Japanese Productions
Lens kits shape a film's optical signature. Japan's rental network gives us deep access to the glass that does the heavy lifting.
We line up full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, and ARRI Signature Primes. These come through Imagica, Nagase Brothers, Yokohama Rental, and ARRI Rental partners. Full-frame coverage for ARRI Alexa LF and Sony Venice 2 packages runs between Tokyo studios and exterior shoots across Hokkaido, Osaka, and Kyoto. Cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke ship alongside the primes when the schedule calls for fast focal-length shifts.
Anamorphic options come into play when a job wants that unique widescreen flare. We carry ARRI Master Anamorphic, Cooke Anamorphic/i, and curated vintage rehoused sets. Speed-Panchro and other vintage character glass stay on hand for shoots that chase softer rendering.
Each lens is cleaned, collimated, and matched to the camera body during prep at our partner houses. Backup glass stays staged for multi-week shoots through Fukuoka and Nagoya, and follow focus systems and lens data cables travel with the package. Your DP gets a lens set that is ready to roll.
Lens choices serve every production type. NHK, TBS, and Fuji TV crews lean on sharp, reliable primes and zooms for fast turnaround. Netflix Japan features staging at Toho Studios stages may want anamorphic glass or vintage character sets. A documentary unit often favours a compact zoom for run-and-gun work. We size the kit to the look and the camera mount, then confirm the picks with the DP during prep.
Glass ships across Tokyo, Osaka, and Kyoto on your prep schedule, with English-language coordination throughout. Each set travels cased, capped, and matched to the chosen camera body. We note how the lens character reads through a Rec.709 or HDR grade in DaVinci Resolve. Rates are quoted in JPY, with the 10 percent consumption tax shown clearly on every line. We confirm rental periods, prep-day testing, and swap terms up front, so the lens budget stays predictable.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Most sets run from 18mm to 135mm, and we keep wider and longer options ready.
Do you have large format lenses?
Yes. We stock full-frame lenses such as ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage that large format sensors need.
What anamorphic options are available?
We supply anamorphic lenses such as ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare that many shoots want.
Can you provide zoom lenses?
Yes. We stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms come in both full-frame and Super 35 coverage to suit many shoots.
Do you offer vintage lenses?
Yes. We hold curated selections of vintage glass, such as rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses. They give unique character and softer rendering.
What lens accessories do you include?
Lens rentals come with protective cases, front and rear caps, and lens data cables where they apply. We can also supply follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Japan that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.