Delivery & Output

Shoots out of Japan deliver to a wide range of platforms and networks. Each end-point arrives with its own tech specs, file names, and delivery sites. That spans local networks, global streamers, theatrical distributors, and corporate clients.

Here is how this works in practice. Our delivery team runs the output stage with the same care we bring to the shoot. Each file leaving the pipeline meets the target's specs exactly. Secure Transfer flows protect content in transit. Our quality check finds and fixes spec issues before any file reaches the client or distributor.

Here is the short of it. Multi-Platform delivery means we build outputs across formats at once. That covers broadcast masters for local Japanese networks, streaming packs for global sites, and archive masters for long-term storage and re-versioning. Spec checks run against each end-point's spec sheet. That spans frame rates, colour space, loudness norms, and closed-caption formats where it applies.

Here is the breakdown. For theatrical content shot in Japan, we run DCP build and mastering to cinema delivery norms. QA passes finish before the pack ships to exhibitors. Fast Turnaround is on give when broadcast windows or campaign launch dates leave little time between picture lock and delivery.