
SCENE 01 / DIGITAL CINEMA PACKAGE DCP
Digital Cinema Package (DCP)
Professional DCP creation ensuring flawless theatrical presentation and worldwide cinema distribution.
A Digital Cinema Package is the standard format for theatrical film release. It holds encrypted video, audio, and subtitle data. Cinema projectors read this data and show it on screen. DCP mastering needs exact specs for resolution, frame rate, color space, and sound, which keeps playback right.
We set up DCP creation with mastering houses certified for digital cinema. Our team handles the specs, encryption, and quality checks. Your Digital Cinema Package then plays flawlessly in theaters. Each one also meets the delivery standards your distribution partners need.
Capabilities
DCP Creation Excellence
We deliver the industry-standard format for theatrical exhibition, ensuring your film is presented with the highest quality in cinemas worldwide.
01
Cinema Quality
DCI-compliant packages for perfect projection in theaters worldwide.
Excellence
02
Secure Encryption
Content protection with professional KDM management.
Security
03
Global Standards
Compatible with all DCI-compliant cinema systems worldwide.
Universal
04
Verified Quality
Comprehensive testing and validation on cinema servers.
Reliability
DCP Services
Technical Specifications
Why Us
Why Choose Our DCP Services
01.
100% Reliability
Guaranteed playback in all DCI theaters.
02.
Fast Turnaround
Quick delivery for urgent deadlines.
03.
Secure Handling
Covered workflow and delivery.
04.
Festival Ready
Experience with major festival needs.
On Location
DCP Mastering for Japan Theatrical Release
Your feature may head to the Tokyo International Film Festival, a multiplex run through Toho cinemas, or a festival entry from Yubari. For each path, we line up DCP mastering with DCI-certified houses in Tokyo and Osaka. Our partners include Imagica, Sony PCL, and Q-Tec.
Our team runs JPEG2000 encoding and XYZ colour-space shift from your DCI-P3 or Rec.709 grade. We then build the encrypted CPL and create KDMs tied to set projector certificates and screening windows. Audio setups cover 5.1, 7.1, and Dolby Atmos near-field mixes. Subtitle tracks match the Japanese cinema chain's expected layout and timing.
Standard feature DCPs ship within one to three business days. Rush turnaround is on hand for festival deadlines. We deliver 2K and 4K versions, plus extra packs for re-versioned audio or other language tracks. Each package ships with full check reports, tested on cinema servers before handover.
Each package is tested for first-pass approval from Japanese exhibitors and global festivals. Your film may hit the screen at Roppongi Hills or the Kyoto Cinema. There, the projection lands just as your colorist and re-recording mixer planned.
Before any pack ships, we play it back on a cinema server to confirm clean projection. QC covers image, audio routing, subtitle timing, and CPL structure. Each check is logged, so you hold a record if a venue raises a question on screening day. We schedule the build against your festival or release date and track KDM windows per venue. That keeps each projector keyed for the right dates without a last-minute scramble.
We run DCP work bilingually, with English-language coordination beside our Japanese mastering teams. Overseas filmmakers get delivery notes and KDM schedules in plain English, so a Tokyo screening books as smoothly as one back home. Quotes come in Japanese yen and state the 10 percent consumption tax up front. The base DCP, each re-versioned audio or subtitle pack, and KDM management are costed as separate lines. That keeps the theatrical delivery budget clear across single and multi-venue runs.
FAQ
Frequently Asked Questions
What is a DCP and why do I need one?
A Digital Cinema Package (DCP) is the industry-standard format for theatrical screening. You need a DCP to show your film in commercial cinemas. You also need one to submit to major film festivals. It shows your content correctly on professional cinema projectors, with sharp image and sound quality.
What's the difference between encrypted and unencrypted DCPs?
Encrypted DCPs need a KDM (Key Delivery Message) for each projector and time window. This protects content for commercial releases. Unencrypted DCPs suit film festival entries, where security matters less and a simple setup is preferred.
How long does DCP creation take?
Standard DCP creation usually takes 1-3 business days. The exact time tracks the length and scope of your project. Our team offers rush services for tight deadlines. Feature films need longer encoding than shorts, and 4K DCPs take longer than 2K versions.
Can you create multiple versions of my DCP?
Yes, our team creates many DCP versions. These include different audio setups (5.1, 7.1, Atmos), subtitle options, language versions, and aspect ratios. We work with you to choose which ones your distribution plan needs.
Related Services
Productions in Japan that need this often pair it with Archival & Preservation Services, Format Conversion & Encoding Services, and Broadcast Delivery Services for full coverage. Most projects also draw on Audio Mixing & Mastering and Video Editing Services.
On Set
Ready for Cinema Distribution?
Let's create perfect DCPs for your theatrical release.