Digital Cinema Package (DCP)

Here is how the picture comes together. Whether a feature heads to the Tokyo International Film Festival, a multiplex run through Toho cinemas, or a festival circuit submission from Yubari, we line up DCP mastering with DCI-certified houses in Tokyo and Osaka. Partners have Imagica, Sony PCL, and Q-Tec.

Here is how this works in practice. Our team runs JPEG2000 encoding, XYZ colour-space swap from your DCI-P3 or Rec.709 grade, encrypted CPL build, and KDM creation tied to set projector certificates and exhibition windows. Audio setups cover 5.1, 7.1, and Dolby Atmos near-field mixes. Subtitle tracks are built to the Japanese cinema chain's expected formatting and timing.

Here is the short of it. Standard feature DCPs ship within one to three business days. Rush turnaround is on give for festival deadlines. We deliver 2K and 4K versions, extra packs for re-versioned audio or other language tracks, and full check reports tested on cinema servers before handover.

Here is the breakdown. Each pack is tested for first-pass okay from Japanese exhibitors and global festivals. When your film hits the screen at Roppongi Hills or the Kyoto Cinema, the projection lands just as your colorist and re-recording mixer planned.