Pitch Deck & Treatment Design

Locking funds in Japan often means pitching to a mixed room. It can hold TV networks like NHK, Fuji TV, and TV Tokyo, studio partners at Toho or Toei, METI-aligned cultural funds, regional film commissions, and the streaming buyers in Roppongi and Marunouchi.

Our pitch decks are shaped for that room. We weave the story logline, market position, comp data, and team credits into a flow that reads clean in both Japanese and English boardrooms. Editorial design meets shoot-industry know-how, so financials, release plans, and tax incentive scenarios sit beside director references, casting strategy, and visual treatment without breaking the read.

Decks often ship within 72 hours. We polish them through coaching rounds that prep your team for the Q&A style of Japanese investors, who tend to probe risk fixes, schedule truth, and partner standing before creative drive.

The result is pitch material that moves from first intro to greenlight chats at a much higher rate. We have proof of that across our 800-project portfolio.

Financing in Japan often leans on layered support, so the deck must show it clearly. We model the national filming incentive, J-LOC eligibility, and regional film commission rebates inside the funding slide. Where a co-production treaty applies, we map the spend split across partners. METI-aligned cultural funds and broadcaster pre-sales sit in the same picture. A financier sees the full capital stack in one clean view, not a scatter of loose numbers.

Craft carries the pitch as much as the figures. Our editorial designers build treatment pages that pair the director's reference frames with sharp typography. We deliver bilingual decks that read clean in both a Japanese boardroom and an overseas one. Files ship as interactive presentations and print-ready PDFs. The same care that goes into a shoot's visual treatment goes into how each slide looks, so the work feels greenlit before a word is spoken.