Lighting Equipment

Japan's shoot settings span a wide range of light. That runs from the bright man-made glow of Tokyo and Osaka blocks at night to the soft grey of a Sapporo winter exterior and the harsh sun of an Okinawa beach shoot.

To handle that range, we keep a flexible, well-maintained stock. Our lighting kit covers LED, HMI, and tungsten systems. These setups suit single-camera doc work right through to multi-unit commercial shoots. The big jobs call for matched, high-output rigs spread across large interior and exterior sites at once.

Pro-grade fixtures from trusted makers form the core of our stock. We hold power-saving LED panels for travel-light doc crews and high-output HMI systems for big interiors and exterior setups in Fukuoka or Nagoya. Complete Kits come with the full cabling, rigging, and diffusion add-ons, so each kit deploys on location without extra sourcing.

Power Solutions match each kit. We give both mains-fed setups and battery-based options. Battery suits sites across Japan where grid access is cut off. That covers mountain shoots in the Japan Alps and heritage interiors in Kyoto, where power draw must stay low.

Our stock draws on trusted rental houses such as Hibino, Tac System, and Nagase Brothers. LED panels and soft sources cover travel-light interview work, while HMI heads and tungsten Fresnels handle big interiors and exterior fill. The full kit ships with stands, cable, dimmers, and diffusion, so a fixture never lands on set without its support gear. We brief your gaffer on what each house holds, then lock the list well before the prep day.

Rental logistics stay clear from quote to wrap. We deliver lighting packages to sets across Tokyo, Osaka, and Kyoto, with regional runs to Sapporo, Fukuoka, or Okinawa on request. Our English-and-Japanese coordinators keep visiting gaffers briefed at every step. Day rates, weekly rates, and crew are quoted in JPY, with the 10 percent consumption tax shown as its own line. You see the full lighting cost before the truck is loaded.