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Post-production services in Japan
Post-Production

Post-Production & Editing Services Japan

The process demands that you convert your raw unedited footage into completed professional content. The post-production team with their deep experience delivers broadcast-quality content through their technical expertise and creative approach which serves films and television shows and digital media platforms.

Editing

Professional editing from rough cut to final assembly.

Visual

Color grading, VFX, motion graphics, and finishing.

Delivery

Broadcast, streaming, and cinema-ready masters.

Finishing with Excellence

Comprehensive Post-Production Services

From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.

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Editorial Excellence

Avid and Premiere editors who've cut for NHK, TV Asahi, and international distributors—turning hours of footage into tight, engaging stories.

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Visual Finishing

The DaVinci colorists and Nuke compositors at Tokyo facilities use equipment which enables HDR and ACES support and delivers content according to broadcast standards.

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Audio Perfection

The studio in Tokyo operates Dolby-certified mixing stages and Foley rooms and ADR booths which produce audio content for cinema and streaming and Japanese broadcast according to established specifications.

Service Catalog

Our Post-Production Services

Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.

Why Fixers in Japan

Why Choose Us for Post-Production

Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.

Industry Standards

Broadcast-compliant workflows meeting Netflix, BBC, and major platform specifications.

Fast Turnaround

Expedited delivery options with 24/7 support for tight deadlines and urgent projects.

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Creative Partnership

Collaborative approach working closely with directors and producers to realize your vision.

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End-to-End Service

Complete post-production pipeline from ingest to final delivery under one roof.

FAQs

Post-Production FAQs

Answers about timelines, deliverables, and how we handle your post-production needs.

What's included in post-production services?

The entire process of content distribution starts with data intake and continues through Avid and Premiere offline editing and DaVinci color grading with HDR and ACES workflows and Nuke compositing for VFX shots and Pro Tools sound editorial and Dolby-certified mixing. The team runs conformation tests between camera originals and camera footage while performing automated quality control checks to generate delivery materials for NHK and streaming services and all distribution channels across the world. Japanese and English versioning available throughout.

How long does post-production typically take?

The Japanese commercial production process requires three weeks to complete from picture lock until the final master is ready. The production time for TV episodes spans between four weeks and six weeks depending on the amount of visual effects needed. The process of documentary production needs eight to twelve weeks to complete sound design work and achieve perfect color quality. The production duration for different features ranges between 10 weeks for dialogue-based dramas and 16-20 weeks for projects which require visual effects. We've done rush deliveries for broadcast deadlines, but realistic schedules produce better work.

Do you handle deliverables for Japanese broadcasters?

That's our specialty. We deliver to NHK, TV Asahi, Fuji TV, and TBS specifications regularly—each has particular loudness requirements, captioning standards, and tape-vs-file preferences. For international projects, we handle Netflix Partner Program specs, Amazon IMF, Apple ProRes deliverables, and cinema DCPs with KDM management. Full QC reports and revision rounds included.

Can you match existing looks from a series or brand?

The colorists at our studio achieve exact visual style matches through their combination of CDLs and LUTs with reference still images. The system keeps track of grade information which spans throughout all episodes and seasons of the series. The brand work team operates under client-approved style guides which include scheduled approval processes throughout the project timeline. If you're picking up a show that graded elsewhere, send us the previous LUTs and references and we'll match the look within a calibrated Tokyo suite.

What camera formats can you work with?

Everything shooting in Japan right now: ARRIRAW and ProRes from Alexa 35 and Mini LF, REDCODE from V-RAPTOR and Komodo, Sony Venice X-OCN, Blackmagic RAW, Canon Cinema RAW. Our team specializes in processing archival content from Japanese institutions which includes HDCAM SR and DigiBeta formats as well as 2K DPX scans obtained from film sources. The system operates as a complete HDR pipeline which supports both Dolby Vision and HDR10 mastering processes.

Ready to Finish Your Project?

Tell us about your project and we'll deliver broadcast-ready masters on time and on budget.