Production Services Japan

The production team includes Japanese and international DPs who have experience working with ARRI and RED and Sony camera systems to achieve the visual look you need for your project.

The system operates through two-camera interviews and 12-camera live events which use switching and genlock and coordinated coverage.

The crew received training from MōVI and DJI Ronin and Steadicam operators to achieve smooth tracking movements through the narrow Japanese locations.

The production team obtained permits from MLIT to film aerial footage of Japanese cities and coastlines and protected areas through licensed pilots.

The production team requires certified dive crews to work on Okinawa, coastal and pool locations where they will use camera housings for RED and ARRI and other specific camera models.

The camera system records Tokyo city views and Shibuya street activity and Japanese seasonal transformations throughout the entire day.

Japanese gaffers who light for traditional interiors, modern Tokyo settings, and the mixed lighting of Japanese streets.

The studio stages and location work of Japanese production required the use of Dolly and jib and track systems which included key grips.

The production team offers ARRI SkyPanels and Astera tubes and Aputure fixtures with their crew to establish fast lighting setups and enable RGB color adjustment.

The equipment includes quiet generators which operate without shore power and lithium battery systems which support run-and-gun documentary production.

Sound mixers operate multi-track recorders which enable timecode synchronization and backup recording for both scripted and documentary production needs.

The boom operators who have experience will predict blocking situations while they handle cable management to achieve proper dialogue recording in the difficult Japanese audio environment.

The production team uses Sennheiser Lectrosonics and Wisycom systems which they coordinate by frequency for their multi-talent shoots that take place in the RF congested area of Tokyo.

The sound department operates at its peak capacity because it uses a mixer and boom and utility equipment which it adjusts to fulfill production needs for dramatic dialogue scenes and high-energy reality content.

The project needs Tokyo-based studios to complete ADR and Foley work and dialogue editing and 5.1/Dolby Atmos mixing for both broadcast and theatrical distribution.

ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages from Tokyo rental houses with same-day prep service.

The Japanese film industry depends on Clear-Com and Motorola systems and digital communication platforms to coordinate between departments because of their long production schedule.

HMI, tungsten, LED, and practical packages from rental houses in Tokyo and Osaka with truck delivery.

The company provides distro boxes and cable runs and tie-ins for studio stages and location work through its team of experienced Japanese electricians.

The DIT carts operate with live color and LUT management and redundant backup systems which protect your footage from start to finish during production.

Director and client viewing setups with wireless HD transmission, playback, and reference monitors.

The Japanese line producers who handle budget management in yen while following local employment regulations to maintain your production timeline.

The production team consists of 1st ADs who manage floor operations and 2nd ADs who handle background activities and call sheet management and who speak both languages and have experience working on foreign film locations.

The office-based coordinators perform duties which include arranging travel and accommodation and processing vendor invoices and handling all production paperwork on a daily basis.

The production benefits from bilingual PAs who know Tokyo's streets and perform location management and talent direction and maintain craft service supplies.

On-set managers liaising with Japanese property owners, building managers, and authorities—troubleshooting issues as they arise.

The casting directors based in Tokyo have connections to Japanese talent agencies and regional actors and specialized extras pools.

The edit bay received detailed notes from continuity experts who monitored all wardrobe items and props and screen direction throughout the production.

The HMU team provides beauty services and aging and wound and period look makeup applications which take place in trailers or at on-site quick-change locations.

The MLIT has authorized these pilots to operate Inspire and Matrice drones and heavy-lift rigs for Japanese population areas.

Phantom Flex and RED at high frame rates for product reveals, sports, and automotive shots requiring slow-motion detail.

The system performs ISO recording and switching functions while it provides coordinated coverage for concerts and talk shows and multi-angle documentary scenes.

The production requires motion-controlled rigs to capture Tokyo cityscapes and Mount Fuji sunrises and cherry blossom transitions which take place across different Japanese locations.

Okinawa dive teams, pool rigs, and underwater housings for swimming sequences and product shoots in water.

The system uses 360-degree camera arrays together with spatial audio recording technology to create VR experiences and virtual tours and immersive branded content.